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wooden handicrafts
WoThe Hilly area of Himachal has remained isolated from the world for a long time. This isolation has acted as a boon for the region as it has enabled them to have a culture of their own. The vivacious assortments include detailed work of wood, classical embroidery on leather, wonderfully decorative carpets, customary woolen shawls apart from other things. The distinct culture and traditions of the himalayas are evident in its artwork. Weaving, carving, painting, and chiseling – have made a foray into the very essence of Himachal and its culture. The colorful pashminas, exquisite wooden doors, and rhythmic sculptures are all inspired by the natural beauty.Significance of Wood in State : Wood has always been an instrumental element in Himachal. One of the only places where it is used as a basic structural material, Trees like Pine, Cedrus deodara, and wild black mulberry are some of the woods that are in generous quantity in Himachal. Places like Chamba, Kalpa, Kinnaur, Kullu and Tisza are well known for the same. With carved doors, Windows and balcony panels, Wood is undoubtedly the most used material in the village houses. Kinnaur and Kullu exhibit this the best. The First temples made of wood date back to as long as the 6th Century AD. They were traced to be in the Brahmaur and Chhatrarhi in Chamba valley of Himachal. Numerous extra temples sculpt in timber lie sprinkled across Himachal. The skill further translates as idols of gods made in wood. They are present both in rural and Urban styles. Useful items carved in wood are often used to decorate Pahari homes –The extent of which exhibits the class and strata of the family. Another place famous for utensils made out of wood are the households in Gaddi in Chamba. Brahmaur is also famous for the same. Wooden Utensils are still widely used across Kinnaur. With the coming of nobility in the state, Western and European influences started creeping into the art and soon wood was used to carve out chairs, tables, matchbox, Cigarette Holders etc. Wood is also a part of the basic Hindu belief as its used for many rituals. Although the craze for wood carving is losing its glitter in the fast westernizing world, In Himachal, The tradition of wood carving is still held in high regard. Popularity of Woodcraft : One can see and realize the importance of wood in Himachali culture through its existence in the old village and rural homes. These wondrous works of arts can also be seen in the valleys of Kinnaur and Kullu. The main regions in Himachal Pradesh which are celebrated for wooden arts and crafts are places like Chamba, Kalpa, Tisa, Kinnaur and Kullu. This attractively completed carpentry is noticeable by its exceptional texture and elaborate designs. This renders the wood a stunning look. Wooden items such as several jars, serving bowls, storage carved idols, candle stands, trays and baskets, jewelry, fruit bowls, photo and mirror frames are some of the famous products in the markets. Chamba is also famous for the boxes that store grains, Known for its animal motifs, These are large in shape and are very popular amongst tourists. Chamba, Chhatrarhi, Rarang, Sapni, Batseri, Shaung, and Bhaba are Villages famous for woodcraft. In livelihood : Having a straight authority on the daily life, The custom of statuette express all the principle and knowledge of manusing easy and simply comprehensible symbols. The three-dimensional art has a unique power to translate the subtlety of the dreamy values by means of position and flexion. Certain symbols are used exclusively to communicate certain ideas, which have linked meaning. Apart from this, the beautification of architectural designs and creation of imagery, wood was once used for purposes of furniture, decorative artifacts, utensil, etc. The utensils were carved out of cylinders of wood and then they are further shaped as desired. They were once used for keeping and storing grains and cereals etc. Wood was extensively utilized as a substance for the structuring of buildings which made it achievable for the artists to devise a variety of creative designs, which were detailed and polished beneath the impact of different styles with time. The craft of the Pabbar valley and of Himachal in general has been deeply influenced by the nearby states and regions which have deeply formed the ideas and designs of this region. Having said that, The details of the carving has been preserved despite the heavy external influences. The craftsmen basically are well versed with the old technique and love it also they include newer techniques and aesthetics to satisfy the locals.
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Stone Handicrafts
Himachal has explored the art of stone carving to its fullest. The credit of this also goes to the wondrous types of stone that this state has .Variousshikhara (spired) sand stone temple speckle the land. In Chamba, the Laxminarayan Temple and In Kangra TheMarsur and Baijnath Temple are a few grand specimens of the work done in Himachal since ages. Temples and fountains are also surrounded with several stone memorials that add to the grace of the place : In the Himachal Pradesh region, Stone carvers till today hold the old world charm and are busy using their apparatus to create out of dead stones lively products of use. Classical stoves (angithi), spherical storing pots (kundi) and chakki are some of the innumerable things of use made out of stones in Himachal. Shimla, Kinnaur, mandi and Chamba are the main centers of Stonework.
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Metal Handicrafts
Crafts of Chamba District reflect the rich culture and tradition of the district. Several art and crafts are popular in this district of Himachal Pradesh. Like for instance, metal craft, wood carving, painting, basket making, Chamba rumal embroidery, pottery or earthenware, weaving and leather works are some of the main crafts of Chamba District. These are practiced by a huge number of local people. Moreover, art and crafts of Chamba District also draw the attention of the travellers. One of the most interesting crafts of Chamba District is the art of metal craft. The tradition of bronze casting was introduced by the Kashmiri artisans. Kashmiri influence on these Chamba bronzes is cleanly discernible. Lakshmi, Ganesh and Narsimha bronze statues in Bharmaur and Harirai and Gauri Shankar at Chamba are the marvels of the Bronze Sculptures. The method of casting of images in Chamba is Cire Perdu. The image is first made in wax and then a thin coating of clay is given to the wax model, keeping a hole for pouring the metal in. After burning the clay-covered mould, the melted metal is poured in the hollow of the mould and hence images are assumed. Some crafts persons still, are practicing the art of metal craft in Chamba. Metal works is the centuries old craft which is still popular in Himachal Pradesh with the name Mohra. The metal work called mohras represents deities like—Lord Shiva and others which are most commonly found in Kullu and Chamba. The metal craft or metal work made in Himachal Pradesh usually signifies the unique jewelleries prepared by the expert metal-work designers, to preserve the tradition of the Himachal Pradesh. Many of the doors of the temples in this region are crafted with the metal, especially the Buddhists are very fond to use the metal crafts, and thus they use them in their monasteries.Significance of Mohra Metal Work in State : Himachal Pradesh is one of the great states of India that makes Indians proud with its amazing architecture, natural beauty, arts and crafts such as painting, stone carving, jewelries, metal works like Mohra and so on. The metal work of the state also includes the tradition of creating beautiful metal jewelries that are artistically created, few namely bangles, bracelets and so on...as per the state’s tradition. Every town of this state has its own unique metal-craft-mohra which is as old as the 14th century A.D. The metal works of Himachal Pradesh are most popular in the world, and has been the main tourists’ attraction, because of its flower designs. Whereas, there is another metal craft work which is very different and most popular with the name Metal-craft-mohra. Such metal works are found in very famous places like—Chamba, Kullu, Bharmour, Kangra and so on. The metal work artists are practicing the art and have become professionals in the unique creations. The statuettes at the temple entrances of Brahmaur, or the Vajreshwari Devi temple, are the very few fulgent models of excellent metal craftswork. Even, the temple doors of Vajreshwari Devi, Jwalamukhi, Bhimkali and Chandika Devi, explore the great craftsmen installed. Another metalcraft unique to Himachal is the mohra. Mohras or metal plaques representing a deity are common in Kullu and Chamba. The metal crafters who design the metal craft work use bronze, copper, iron, and bell metal as well. Apart from the glittering statues, many home items are made such as—lamps, handles, bells, and many others, by using the metals. Another unique metal object, prepared are glass or a small pot to preserve water can be found in different shapes and size, which drags attention of the tourists or the local people. The metal crafts of Himachal Pradesh are not just supplied to the temples, monasteries etc. but, they are served to every person in common. As per the history, the metal craft in Himachal Pradesh is developed because of the region’s law court of the kings, who were experts in metalwork during the period of 600 AD. Since then, the metal craftsmen have been practicing the art and have become experts in this unique craft making. Popularity of Mohra Metal Work : The life of the Himachal Pradesh people is highly determined by the religious beliefs and rules where the worship process is very expandable. To worship, the temples need several items or materials, which are made by metal like copper, tin, and many others. Metal contains copper, tin, brass, bell metal and iron. Despite of the shining statues, there are many objects which are made by using metal like lamps, bells, musical instrument, and vessels. The metal word done in Himachal Pradesh is a kind of tradition that lets artists to make beautiful metal jewelries that are artistically created. The jewelries also include- The Pahari jewelries that are artistically created and give the same charm of nature, which it borrows from. Also, there is another kind of necklace made out of metal called ‘Chandahaar’ which comprises 5-7 rows of quality gold beads. Usually, such jewelries are worn by Pahari women who wish to dress-up with metal bangles, beaded metal necklaces etc. These Mohras have been available since last 1,400 years ago till now in Himachal Pradesh, and can be seen a lot in temples especially during the giant festivals like Dussehra at Kullu district. Craft Process : In Livelihood Himachal Pradesh is very popular for the special metal work called ‘Mohra’, and every village of this region has its own mohra metal, where the metal-craft-work of Himachal Pradesh stands as the antique metal works, and is most commonly found in several temples of Himachal Pradesh in the form of statues of gods and goddesses appear as ‘mohras’ or metal plaques. One of the most interesting crafts of Himachal Pradesh is the art of metal craft. Chamba district was the foremost centre of metal casting; also, the temples of Bharmour and Chamba are carved with bronze, by a professional craftsman. The tradition of bronze or image casting was introduced by Kashmiri artisans at Chamba, where some craftsmen still practice the metal craft work to become a master of metal carving. Among the handicrafts, Himachal Pradesh has also a very famed quality metal crafts like bangles, earrings and many other items which are created using copper, brass, mercury and bell metal. While, the statues made of copper and brass are beautifully carved, whereas bells and mugs have very excellent designs sculpted. The metal works also include lamps, whose handles are beautiful carved in temples. Even some items that include— jugs, trumpets etc. are also made of the copper or bronze metals. The mohras made of brass and copper usually contain carvings of Lord Shiva and Goddess Durga of Chamba and Kullu. The metal work of the Kinnaur district displays a unique style of Buddhism and Hinduism. While, another type of ornament called ‘Lahaul-Spiti’, influences the Tibetans with its design that is created with semi-precious stones such as coral, giant pearl, and so on.
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Kullu Shawls
Kullu Shawls are well known all around the world for its simple and elegant designs and its fine woolen fabric and manufacturing quality. Kullu shawls are worn by both: men and women, but men’s shawls are usually called "Loi" or "Pattu" and are often plain without any pattern or very minimal patterned stripes on two edges.Characteristics : Kullu shawls are mostly made of three types of wool: Merino wool, Angora wool and Local sheep wool. These different kinds of wools are sometime used combined to make more varieties. Designs patterns are mostly geometric shapes with few exceptions where floral designs are used. Importance of Kullu Shawls in local economy : Kullu shawls play a very significant role in the economy of valley. It is one of the major income sources for these people where thousands of them earn their living by weaving part time or full time. Around 20,000 people work part-time and about 10,000 people earn their livlihood by working full-time. These shawls are made in valley itself by local people who have inherited their skills from their past generations. Shawls made in the valley are woven using handlooms and these handlooms can be found in almost every home in rural areas. These are used to weave shawls and fabric for other clothes to fulfill their own needs or for commercial purposes. Kullu shawls are also an important part of heritage of Himachal Pradesh due to which state government provides many benefits to weavers so this heritage can flourish and can be preserved.
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Kinnauri Shawls
Kinnauri Shawl is a type shawl manufactured in Kinnaur district of the Indian state Himachal Pradesh.The shawls are known for the geometric designs. In October 2010, the shawl was registered by the Indian government under the provisions of the Geoographical Indications of Goods Act, 1999 which prohibited unauthorized production of the shawl which would invite INR 2 lakh punishment or three years imprisonment.Designs : Known for their intricate geometric designs, objects of religious importance are weaved on these shawls with colours of mythological origins. The colours used have a meaning with green signifying air, blue - ether, white - water, yellow standing for earth and red for fire. The geometric designs give the shawls a Central Asian influence.Weaving : Shawls for commercial purposes are woven with frame loom, pitlooms shawls cater to the local usage. The weavers weave to pieces of half length shawl with similar designs, and after completion are joining at the centre through stitching. On average, it takes around 45 days to complete a single shawl.
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Kashmiri Shawls
Due to the extreme cold during winter months in Himachal Pradesh, wool weaving became an absolute necessity. Almost all households in the state own a pit-loom. Wool is also considered to be pure and is often used as a ritual cloth. The shawl is one of the most popular and most recognized woven objects. Several types of shawls exist, whether it be fine pashmina or on the other end of the spectrum it could be a shawl made from the coarse material of desar. In Himachal Pradesh, Kullu is famous for the shawls that it produces as they have striking patterns and very vibrant hues. Another popular handicraft in weaving is the Himachali caps that this state produces. They are of a style that is easily recognizable outside Himachal Pradesh and this style differs from region to region. In the town of Kinnaur, shawls, saris and trousers are made from wool. In the Himachali district of Chamba, the weaving pattern is easily recognizable due to its chequered pattern. Apart from shawls, carpets and blankets form an essential part of the lifestyle of residents of Himachal Pradesh.Weaving : Weaving in Himachal Pradesh has been a tradition since ancient times and is also necessary due to the climate. Central Asia played an influential role in the technique of the weaving and the design too. Tibet is another influencer in the weaving sector and the garments produced are extremely popular amongst tourists. Woolen garments along with shawls in himachal Pradesh are knitted at home and are hand woven. While factory produced items are also available they don’t have the same value as those of handmade products. Government run garment shops are places where these items can be easily purchased. It is usually important to verify the authenticity of the garment by looking at the trademark label. Shawls and woolen garments made using the raw material of wool. In order to obtain wool several methods are used. Sheep are reared at breeding farms that exist in the districts of Hamirpur, Chamba, Mandi and Kinnaur. Migratory Himalayan goats are another rich source of wool, along with Pashmina goats and angora rabbits. These goats naturally shed their fleece during the summer season. Due to its finer nature, the underbelly is where wool is obtained from in the sheep, since it is finer than the outer body hair. Other sources of wool in Himachal Pradesh are imported wool from Australia. In order to colour the wool into different hues, chemical and vegetable dyes are used. Weaved Handicrafts : The Himachali shawl is essentially a light woolen fabric measuring approximately 1m by 2m . It would usually be draped over and around the shoulder of the wearer and over the chest. It can be made from yarn that is hand spun or even mill spun yarn. The fiber used to make the Himachali shawl can be merino, wool, local sheep wool, Pashmina, Angora or a mixture of various types. The yarn can either be dyed, or it can be made from natural colors. Even though a relatively new addition to the traditional Himachal Pradesh attire, it is very popular, especially amongst tourists. Today the handicraft of shawl weaving has become one of the most popular and rising industries in the state. It is responsible for the livelihood for approximately 35000 weavers in Himachal Pradesh. Woven Craft : Kullu Valley in Himachal Pradesh offers exquisite shawls. These are in addition to the more mass produce Kullu shawls that are more easily. The hand woven shawls in this region are unique and believed to belong to a craft that is centuries old. The raw material that is used is Merino wool, local sheep wool and Pashmina wool. Primary colors used in Kinnauri shawls are red, orange, pink, blue, green and yellow. White represents water, yellow represents earth and red represents fire, green stands for air and blue for air. In 1927 craftsmen from Rampur migrated to Kullu Valley and thus the craft was transferred to Himachal Pradesh. Most shawls made for commercial use are woven on the frame loom, while the shawls made for local use are mostly woven on pitloom. Handloom Weaving and Importance : The weaving of Himachal Pradesh takes inspiration from the state’s natural surroundings and the auspicious symbols used by the people in the hills. The pattern on woolens are usually geometrical, with the colour palette ranging from blue, saffron, to purples and greens. The body of each shawl is a simple twill weave made with colorful inlay pattern set using hand manipulations with coloured woolen threads. Pattu shawls are a speciality of the kully calley and are traditionally made in black and white in a square pattern. This craft is generally used in Kully Shamshi and Jihhi.
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Kangra Paintings
The coming of painters from the Mughal court in the second quarter of the 18th century led to a complete transformation of the existing Basholi style of paintings and the birth of Guler-Kangra style of paintings. This late Pahari style of paintings first appeared in Guler and then in Kangra. Raja Goverdhan Singh (1744-1773 AD) of Guler was an early patron of this art form. The Kangra paintings reached their maturity during the reign of Maharaja Sansar Chand (1775-1823 AD). These paintings are marked by their liquid grace and delicacy. Fattu, Parkhu and Khushala were important painters of the Kangra style. Many themes like the Bhagwata Purana, Gita Govinda and the Sat Sai of Nala-Damayanti were portrayed in these paintings. Another subject of the Kangra paintings was the “Twelve Months”, in which the artists tried to bring out the effect of seasons round the year on the emotions of human beings. The Kangra style is by far the most poetic and lyrical of Indian styles, says art historian J. C. Harle. His favourite subject here is "the idealization of woman, in flowing sari, head half-covered with a shawl, demure but stately, passionate and shy". In many cases the works of the Kangra School are accompanied by the texts inscribed in the Nagari characters. The Kangra style became well entrenched in the Hills and many offshoots emerged in the regions like Kullu, Nurpur, Chamba and Mandi. The Bhuri Singh Museum in Chamba is best known for its exquisite collection of the Pahari miniatures. This genre of painting continued till late in the 19th century, after which it declined in its importance.
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Guler Paintings
Guler State was famous as the cradle of the Kangra paintings. Guler style painting constitutes the early phase of Kangra Kalam. About the middle of the eighteenth century some Hindu artists trained in Mughal style sought the patronage of the Rajas of Guler in the Kangra Valley. There they developed a style of painting which has a delicacy and a spirituality of feeling. The drawing in Guler painting is marked by liquid grace and precision. The colours which emphasize cool blues and greens are handled with skill. Guler artists had the colors of the dawn and the rainbow on their palette. Of the hill states Guler has the longest tradition in the art of painting. During the rule of Raja Dalip Singh (1645–1743) artists were working at Haripur Guler. However it was during the reign of Govardhan Chand (1743–1773) that an active school of painting developed at Haripur Guler. There are numerous portraits of this Raja in the Chandigarh Museum.[5] Govardhan Chand's son Prakash Chand (1773–1779) continued the patronage of artists. His son Bhup Chand (1790–1826) also had artists working under him. Painting in Guler continued right up to the close of the 19th century. The art of Guler style painting flourished in families with distinguishable styles and techniques, most significant amongst them were that of Pandit Seu of Guler, who died in about 1740, and his sons, the remarkable Nainsukh and Manaku. Later while Manaku worked at Guler, Nainsukh migrated to Jammu.
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Gents Leather Chamba Chappals
We make available the products using the exceptional quality raw material that is experts certified. This makes our product range completely reliable and genuine. With the help of our brilliant logistics network, we render safe and time-bound deliveries. Features : Striking & comfortable Genuine leather All sizes available
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Chamba Rumals
The Chamba Rumal or Chamba handkerchief is an embroidered handicraft that was once promoted under the patronage of the former rulers of Chamba kingdom. It is a common item of gift during marriages with detailed patterns in bright and pleasing colour schemes.Introduction : Himachal Pradesh is famous for its traditional folk craft,woodwork, metal wares, carpets,woolen textile and leather embroidery. Among theHandicraft in Himachal Pradesh,embroidery is an importantaspect praiced by the womenfolk. The big handkerchiefs calledrumal of Chamba are famous andhas always been a symbol of affection and good omen. They are presented at festivals and weddings. They are also used for wrapping ceremonious gifts exchanged between the bride and bridegroom's parties during marriages. The embroidery on the rumal is the image of a miniature painting on fabric. Thecreations came to be termedas rumals or scarves, as theywere mainly produced in asquare format. The rumals reflected the artisticexpression of the women of the household and were usedto cover gifts and offerings. There are Pahari miniature paintings in existence, whichshow gifts covered with Chamba rumals being exchanged between the families of the bride and groom. Rumals : were also used to cover offerings to the gods and while presenting gifts to the ruler or other high officials. The name 'rumal' meanshandkerchief, but these are not used to be kept in the pocket. Theseare generally used for covering gifts placed on metal & bambootrays and baskets on any special occasions as birthdays, weddings,festivals or fairs. Historical Background : It all began as a craft to cater to kings. And from there, the products of this domestic craft spread to every household thatcould afford them - or whose womenfolk could create them. At itssimplest, the Chamba Rumal, literally, handkerchief, was a pieceof cloth used a small drape or scarf. Steadily this embroidery begancovering a range of items for daily use - caps, hand fans, pillowcases and wall hangings. The embroidery art form of the Chamba rumal originated andflourished in the erstwhile princely hill states of Chamba, Kangra, Basholiand nearby states which arenot a part of HimachalPradesh. Though practicedthroughout this region, the craft came to be associated specifically with Chamba owing to the patronage given by the rulers of the area as well as to the quality of its craftsmanship. The artistic style of the Pahari miniature paintings which was influenced by Mughal Miniatures wasreflected in the rumals which flourished in the 18th and 19thcenturies.There are Pahari miniature paintings in existence, whichshow gifts covered with Chamba rumals being exchanged betweenthe families of the bride and groom. The earliest Chamba Rumalsdate back to the mid 18th century - and have had an unbrokenlineage as it were, to the present day. The technique is similar toPunjab's "Phulkari", which is not surprising given the trade andcultural links. But the themes that unravel in the stitches are bornof the artistic traditions of the hills. The place of the fine brushstrokes that created the exquisite miniature paintings of Kangra isshared by the needle and thread of chamba.Though the Chamba Rumal has a very old history but it wasin 1884, under the patronage of Raja Umed Singh that this piece of art got a new thrust. Thereafter the traditional needlework on theChamba Rumal became famous in the country and even abroad. Some of the best Chamba Rumals can still be seen at theVictoria and Albert Museums in London. One such 'Rumal' at oneof the two museums is in the form of a wall hanging which depictsscenes from the Mahabharata.
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Chamba Paintings
Like most hill capitals, Chamba has a large ground. The most outstanding buildings are the palaces of the Raja. Of these the Rang Mahal (Painted Palace), which looks like a feudal castle is the most interesting. It was built by Raja Umed Singh in the mid 18th century. There is one room whose walls are painted with murals depicting episodes from the Ramayana and the Bhagavata Purana in bright red and blue. Raj Singh (1714-1794) was one of the most renowned rulers of Chamba, and the rise of painting in the Guler-Chamba style was due to his patronage.Chamba paintings are quite similar in appearance to Mughal style of paintings, with strong influences of Deccan and Gujarat style also. The Chamba paintings are very authentic and informative social documents of the history of those times. The Chamba paintings also derived inspiration from natural surroundings and are remarkable in their composition. The Chamba style is similar to that of Guler paintings as numerous artists of this school came from Guler. The paintings of Chamba encompass both miniatures and murals. Chamba is famous for the miniature Pahari paintings. Raja Udai Singh and Raja Jai Singh patronized this school of painting. During the reign of Raja Charhat Singh, this school of art got a further boost from folk art as the common people adopted the form.Mughal influence is also discerned in these paintings. The themes used in this style of paintings were religious, such as legends of Radha Krishna, lord Shiva-Parvati, Rama Darbar, Yashoda and Krishna etc. Romantic ambiences of the rainy season in Chamba have also been painted in various moods and styles, in Basholi colors by the artists of Pahari miniature art.All paintings are courtesy of Art of Legend India.
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Chamba Leather Stamping Chappals
Leather stamping involves the use of shaped implements (stamps) to create an imprint onto a leather surface, often by striking the stamps with amallet. Commercial stamps are available in various designs, typically geometric or representative of animals. Most stamping is performed on vegetable tanned leather that has been dampened with water, as the water makes the leather softer and able to be compressed by the design being pressed or stamped into it. After the leather has been stamped, the design stays on the leather as it dries out, but it can fade if the leather becomes wet and is flexed. To make the impressions last longer, the leather is conditioned with oils and fats to make it water-proof and prevent the fibers from deforming.
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Chamba Leather Carving Sandals
Leather carving entails using metal implements to compress moistened leather in such a way as to give a three dimensional appearance to a two dimensional surface. The surface of the leather is not intended to be cut through, as would be done in filigree. The main tools used to "carve" leather include: swivel knife, veiner, beveler, pear shader, seeder, cam, and background tool. The swivel knife is held similar to pencil and drawn along the leather to outline patterns. The other tools are punch-type implements struck with a wooden, nylon or rawhide mallet. The object is to add further definition with them to the cut lines made by the swivel knife. In the United States and Mexico, the western floral style, known as "Sheridan Style", of carving leather predominates. Usually, these are stylized pictures of acanthis or roses. California, Texas, and a few other styles are common. By far the most preeminent carver in the United States was Al Stohlman. His patterns and methods have been embraced by many hobbyists, scout troops, reenacters, and craftsmen.
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Chamba Embroidered Chappals
These are also made in the same manner as Chamba Chappals except that the embroidery on the vamp is done by women embroiderers.
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Chamba Dyed Chappals
Leather dyeing usually involves the use of spirit or alcohol based dyes where alcohol quickly gets absorbed into moistened leather, carrying the pigment deep into the surface. "Hi-liters" and "Antiquing" stains can be used to add more definition to patterns. These have pigments that will break away from the higher points of a tooled piece and so pooling in the background areas give nice contrasts. Leaving parts unstained also provides a type of contrast. Alternatives to spirit stains might include a number of options. Shoe polish can be used to dye and preserve leather. Oils such as neat’s-foot or linseed can be applied to preserve leather but darkens them. A wax paste more often than not serves as the final coat. Sweat and grime will also stain and 'antique' leather over time. Gun holsters, saddlebags, wallets and canteens used by cowboys and buckaroos were rarely colored in the Old West. The red, brown, and black tones develop naturally through handling and as the oiled leathers absorb the rays of the desert sun. Due to changing environmental laws, alcohol-based dyes are soon to be unavailable. There are currently water-based alternatives available, although they tend not to work as well.Painting : Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather. Due to this difference, leather painting techniques are generally not used on items that can or must bend nor on items that receive friction, such as belts and wallets because under these conditions, the paint is likely to crack and flake off. However, latex paints can be used to paint such flexible leather items. In the main though, a flat piece of leather, backed with a stiff board is ideal and common, though three-dimensional forms are possible so long as the painted surface remains secured. Acrylic paint is a common medium, often painted on tooled leather pictures, backed with wood or cardboard, and then framed. Unlike photographs, leather paintings are displayed without a glass cover, to prevent mold.
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Basohli Paintings
The early Pahari paintings of the mid-17th century were in the Basholi style. The Basholi paintings were characterized by strong use of primary colours (red, mustard yellow and blue) and by faces with receding foreheads and great expressive eyes, shaped like lotus petals. Apart from clothing, which was borrowed from the Mughal paintings, the Basholi paintings had adopted new and individual styles and themes. The most popular theme of Basholi painting was from Bhanu Datta’s Rasamanjari, which was profusely used by the renowned Basholi artist Devi Das in 1694-1695 AD. Other favourite themes include love of Madhava-Malati, Radha-Krishna episodes and the Bhagavata Purana. The artists also had a fondness for the portraits of the local rajas in plain white garments. The prominent portraits of many-headed Shiva and many-armed Durga reflect a strong Indian elements. These paintings bear resemblance to the Rajasthani and Malwa paintings. This style of painting spread to the other hill states of Mankot, Nurpur, Kulu, Mandi, Suket, Guler and Kangra. A good collection of Basholi paintings is found in the Dogra Art Museum, Jammu.
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ladies chamba chappal with leather carving and embroidery
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its a traditional hand made chappal. with handmade leather carving and handmade embroidery... Its a unique product of us. its a strong and long life running chapal... any one can buy this ...
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