K. K. Internationals chintadripet, Chennai, Maharashtra

xlr connector The input module back panels consist of and XLR connector for mic input pin 2 is signal (+), pin 3 signal (-) and pin 1 ground or shield. The line input is an 14" TRS jack with the tip signal + and the sleeve signal -. There are a set of jumpers on the top of the unit in each channel to change the sensitivity of the line input. The standard mode will allow up to a +18 dbm on the input with the 6db gain setting providing 6db of gain. In the padded mode there is a 20 db pad inserted on this input. The hi gain mode which is the standard mode will work in most cases and is recommended. The insert point is a 14" TRS with tip being the send and the ring being the return. If you want to leave this normal and also have the analog output available connect the tip and ring together and use this as you signal output.

A long throw 10" cast chassis driver is mounted in a tuned cabinet constructed of 26 mm MDF. Tradition is broken in that the matched 215W RMS amplifier and two-channelSB10R controller are housed in a separate, single 1u rack space unit. Due to this Remote Power, the electronics do not suffer the adverseeffects caused by the LF vibrations that are created by the drive unit. Also, calibration and operation of the SB10R controller are much easierto archive quickly and in comfort with the unit sited close to hand.

variable attenuator The input gain is selected by a stepped switch for gain matching and repeatability. This is followed by a continuously variable attenuator to provide gain trim. Gain is adjustable in 6 db steps to 66 db gain and down to off by the attenuator.

sound module The audio path color is changed by modifying the tube circuit so it has negative feedback or does not have negative feedback. This along with the optical like quality of the compressor allows for a colored vintage sound or a much cleaner sound with optical characteristics. When linked the master unit controls all functions on the slave except for wet-dry and make up gain. The link system is capable of doing 5.1

sound mixer No-compromise, full Prism Sound audio quality Dedicated USB interface ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit) Directly compatible with CORE AUDIO on Mac OS X 10.4+ Eight "Prism Sound" premium-quality AD and DA channels Concurrent operation of ADAT and switchable SPDIF or AES3 ports Four high-end integrated mic preamps (typ.-130dBu EIN), switchable phantom MS Matrix processing on mic inputs Two instrument inputs

sound equalizer The EQ4M™ offers more control with its true inout bypass, a transparent INPUT ATTN (attenuator), and an extra 15 kHz selection on the AIR BAND®. All controls are stepped (detented)

sound attenuator is a high quality 2 channel discrete class A microphone pre-amp. It can be operated as a musically transparent pre-amplifier, but is capable of emulating vintage sounds as well as creating distinctive new ones.

microphone preamplifiers digital recorders, DAWs and software plugins, mic-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – it’s front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.

headphone amplifier 120V Rail headphone amplifier, preamplifier and monitor controller For all headphones with impedances >10Ohms (>40Ohms for balanced headphones) Innovative Phonitor Matrix: speaker-equivalent listening on headphones Laterality control: super-fine balance control Solo LR, Polarity ø LR, MonoStereo Volume remotely adjustable (learns any IR remote control) Maximum output power: 2 x 2W (1kHz300Ohm) Frequency response: 4Hz - 480kHz (-3dB) THD+N: 0.00091% (HP), 0.00085% (Line) Dynamic range: 133.62dB (HP), 134.37dB (Line)

digital audio converter full Prism Sound audio quality Dedicated USB interface ASIO drivers provided for Windows VISTA, 7 and 8 (32 and 64bit) Directly compatible with CORE AUDIO on Mac OS X 10.4+ Eight "Prism Sound" premium-quality AD and DA channels Concurrent operation of ADAT and switchable SPDIF or AES3 ports Four high-end integrated mic preamps (typ.-130dBu EIN), switchable phantom MS Matrix processing on mic inputs Two instrument inputs RIAA Equalization on inputs 1 & 2

Designed for demanding audio professionals spanning a wide range of applications including tracking, mixing and critical mastering applications.The Rock is equally at home sat atop a large-format mixing console or in a high-end studio, a home studio or a mastering facility.

audio equalizer The Maag Audio EQ4M™ is a 6-Band Dual Channel Mastering EQ with AIR BAND® (shelf boost from 2.5 to 40kHz), a true inout bypass, a transparent INPUT ATTN (attenuator), and stepped (detent) controls.

amplifier module the Phonitor 2 is expanded with three additional loudspeaker outputs, making it the perfect analog 120V monitor controller. It allows you to listen to three user-definable analog stereo signals with headphones or up to four stereo speaker pairs all with the best-possible quality. Plus, the comprehensive controller functions of the Phonitor 2 (LR phase reverse, LR Solo, Mono, Mute) are readily available for use with all connected playback systems.

active studio monitor The Pebble is a technology tour de force and features may innovations found only in the upper end of the Unity monitor range. The Pebble is an incredibly flexible design that can be further improved with the addition of the Bam Bam expansion device.

microphone preamplifiers digital recorders, DAWs and software plugins, mic-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – it’s front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.